As with many of the occasions I self-promote, this one is also an assignment set by Trinity Laban. The module, Engaging Audiences, encourages us to do just that. Pick an audience and engage it. There’s a whole catalogue of audiences; traditional culture vultures (highly engaged in the arts), family and community focused (some engagement in the arts) and a quiet pint and the match (not currently engaged in the arts) amongst many more.
How you approach each kind of audience member differs, for example, culture vultures will likely respond to advertisements at the place of their previous concert or by word of mouth at such a venue whereas family and community focused need to be engaged at an event around their families’ needs, so if you were to put on a child-friendly concert, you’d put flyers up at the local children’s centre or family friendly cafes to engage them. A quiet pint and the match character takes a little more flair, because they are happy with their environment, they have their friendship groups set up and don’t plan on changing anything so you have to enter their world, make the arts something they are interested in already. Continue reading So,you’ll never walk alone…
The Colab scheme started at Trinity Laban in 2011, it was the year I was doing a 6 month flexible program of study. There was an overall consensus from students that this was ridiculous and no one wanted to take part, I was thankful my 6 months was up just before colab began… But fast forward 5 years and Colab has become a highlight of our year. A chance to spend a week learning new things, meeting new people and generally getting a new lease of life for the final push of the academic year. Continue reading So, your last year of colab began?
Every so often, while training to be a classical singer, the hard work pays off and this week was one of those lovely occurrences…
I auditioned for the soprano solo in Carmina Burana way back in September along with many of my colleagues at music college and remember getting the email confirming I’d got the part as I was walking along the Thames, near Temple. I’d never expected I’d get it against so many competent undergrad and postgrad singers and literally jumped up and down with excitement. Thankfully, my husband was walking alongside me so I didn’t look too crazy. Best of all, Dominic Peckham, conductor of many amazing choirs including the Royal Opera House’s RM19 Youth singing group, would be conducting us. Continue reading So, can every week be like that one?
On Wednesday, Trinity Laban students were treated to another free recital from the Jette Parker Young Artists and this time, the wonderful tenor, Samuel Sakker and beautiful Soprano, Anush Hovhannisyan performed. As we had a rehearsal for the upcoming Carmina Burana, we were only able to make the second half, but what a second half it was.
My highlights were “Deh, se piacer mi vuoi” from La Clemenza di Tito by Mozart. Anush’s warm tones had deep resonance which made it all the more delightful when she manoeuvred around the coloratura phrases (which means the bits that are very busy, with lots of notes) with seeming ease. She looked every inch the diva and I loved that about her aura!
Continue reading So, you’re saying I shouldn’t exercise?
We Trinity Laban students were treated to a vocal master class this afternoon by the great Mr Roderick Williams.
He was such a charismatic, warm person keen to avoid talking about technique in too much detail with the lucky singers who took part, yet he had so many other interesting things to talk about. In particular, about how to get into character when singing an aria as a stand alone piece. It’s difficult to sing about how you’ll come back and haunt your brother once you’re dead, because he’s put you in prison because he thinks you were plotting against him with your lover (Piangero la sorte mia – Jiulio Cesare) in a concert environment, without all the context performing the aria as part of the opera would provide. Continue reading So, where’s your banana and boots?