Every so often, while training to be a classical singer, the hard work pays off and this week was one of those lovely occurrences…
I auditioned for the soprano solo in Carmina Burana way back in September along with many of my colleagues at music college and remember getting the email confirming I’d got the part as I was walking along the Thames, near Temple. I’d never expected I’d get it against so many competent undergrad and postgrad singers and literally jumped up and down with excitement. Thankfully, my husband was walking alongside me so I didn’t look too crazy. Best of all, Dominic Peckham, conductor of many amazing choirs including the Royal Opera House’s RM19 Youth singing group, would be conducting us. Continue reading So, can every week be like that one?
I think it’s important to take a step back from the informative side and just explain why we take on this journey to become a classical singer.
I remember when I first realised I could sing classically; I’d started singing lessons with a new teacher who was based at my first high school and she had me sing scales. I just kept going higher and higher until she stopped and left the room, she returned 5 minutes later with the Head of Music and his colleague and said, “Listen to this!” It was such a buzz being paraded around in this way, but even better that all this fuss was coming from me doing something that felt very natural. It didn’t stop there either, like pretty much every student at a music conservatoire, I was very much a big fish in a small pond. I won prizes in local music festivals, sang solos for local choral societies and made a name for myself at school for my musical ability. In short, my singing ensured I was praised by many and in turn it made me feel great.
So this is why we sing; it feels so good! Continue reading So, that’s why I do this!